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NOW SHOWING
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"When I discovered Florence Mills as the subject of Duke Ellington’s magnificent tribute, “Black Beauty,” I recognized a figure of major significance, who had somehow slipped through a crack in the historic record. The lack of any filmic or audio traces no doubt help explain her almost total eclipse. It was a cold trail in the early 1990s as I began to trace her story, but I soon discovered there was a small coterie of people for whom her memory was alive and treasured. One of these was her fellow African American performer Jonelle Allen, whose devotion to Florence Mills long pre-dated mine.
I have tried through my book and web site to restore Florence to her rightful place in the history of African American, and world, entertainment, as well as in the struggle for equal rights. However, the matter readers have most questioned me on is the inadequacy of explanation for why Florence never made records. I have since come to believe that, though technical matters were a factor, the real explanation is that her forte was interacting with a live audience. After her first negative experience I think she resisted the sterile environment of the recording studio. I therefore believe the true spirit of Florence Mills is best captured in the live performance of a devoted successor like Jonelle Allen, and perhaps in Duke Ellington’s “Black Beauty,” rather than through any words on a page."
Bill Egan
Author: "Florence Mills Harlem Jazz Queen"
http://www.florencemills.com
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Starring
Jonelle Allen
as Legendary Jazz Singer
Florence Mills
and
Steve Josephson
as Lew Leslie
Written by
Steve Josephson and Jonelle Allen
Produced & Directed by
Steve Josephson
Choreography by
Ellen Prince
Musical Direction by
Ron Abel
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Reviews From The Fringe
Watching Jonelle Allen in Harlem Renaissance, you can't help thinking you're in the presence of Broadway Royalty. She debuted in Manhattan at the age of six, and has been performing ever since. Us Brits who don't get to the Times Square as often as we'd like will probably recognise Allen from the TV series Dr Quinn, in which she played Grace for many years.
Harlem Renaissance is the story of Florence Mills, largely forgotten today because recording equipment in the early twentieth century couldn't capture her remarkable voice, but hailed as the first African American star of Broadway. After her death in 1927 from tuberculosis, Duke Ellington memorialised Mills in his song Black Beauty.
The story is narrated by Steve Josephson, who also directs and wrote the script. It's punctuated by songs from Florence Mills' life such as I'm A Little Blackbird Looking For A Bluebird, which Mills is probably best know for.
Singing Some of These Days and looking straight into my eyes, Allen could have been looking directly into my soul. I felt honoured to be in such an intimate space with a lady of such pedigree... and I'm glad to have seen Jonelle Allen perform in Edinburgh.
-Pete Shaw, Broadway Baby (08.24.07)
A slick and well-delivered tour of the life of the forgotten jazz singer Florence Mills. The story is told through great music... I was entertained and my interest was raised... Jonelle Allen shines as "the little blackbird"...buckets of energy, humor and sass. She delivers her final number with such emotion that it hits you right in the gut - we may not get to know Mills well, but we feel a loss when she dies. Think of this as a taster - something to pique your interest - and you won't be disappointed; a glimpse of a world and a talent long gone and very missed.
-Three Weeks, Edinburgh (08.04.07)
PICK OF THE FRINGE
-Mervyn Stutter's "Pick of the Fringe", GIlded Balloon, Edinburgh (08.13.07)
Written and performed by Jonelle Allen and Steve Josephson, the life story of Florence Mills, once described as the ‘Harlem Jazz Queen’ and affectionately known as the ‘the little blackbird’, is a gem of musical theatre. Set mainly in the 1920’s at a time when there was a huge flowering of African-American culture, this production traces her rise to fame from a humble background.
With Steve Josephson providing the narration in words and song, Jonelle Allen through song and dance most effectively conveys the huge talent that Florence Mills possessed. Why is her name not better known and her memory cherished? The lack of recordings and film material largely explains her disappearance from public knowledge.
The success of the show depends on Jonelle Allen’s singing performance and there is no doubting her singing qualities. Highlights include ‘Some of these Days’ and ‘I’m just wild about Harry’. Her final song ‘The little blackbird’ is the most moving tribute to an artist who died at the age of 31 at the height of her career.
This is a show that has been lovingly created and is both entertaining and informative.
-Ben Douglas, www.one4review.co.uk (08.03.07)
| C Central - Cabaret Bar, Venue 54, North Bridge, Edinburgh, EH1 1SD |
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1 August 2007 - 27 August 2007 - 18:10
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Tickets
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£6.50 - £9.50
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C Central - Cabaret Bar Edinburgh, EH1 1SD
Order tickets Online or call 011 44 845 260 1234
VENUE INFORMATION:
Cabaret and comedy, bands and burlesque converge where the
Royal Mile meets the Bridges. Drumming, dancing, bubbles,
magic, carousels. Drink and dance until dawn with The Establishment.
C venues vibrant vivacious variety. It's a Festival all of its own.
Make sure you see it all.
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"Black Beauty"
Duke Ellington, 1928
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INSTRUMENTAL
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"I'm a Little Blackbird Looking for a Bluebird" (Intro)
Geo. W. Meyer, Arthur Johnston,
Grant Clarke and Roy Turk, 1924
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Jonelle Allen
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"I'm Craving for that Kind of Love"
Noble Sissle and Eubie Blake, 1921
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Jonelle Allen
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"Nobody"
Bert Williams and Alex Rogers, 1905
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Jonelle Allen
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"Ballin' the Jack"
Jim Burris and Chris Smith, 1913
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Jonelle Allen
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"Broken Busted Blues"
Noble Sissle and Eubie Blake, 1924
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Steve Josephson
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"Miss Hannah from Savannah"
Bert Williams and George Walker, 1900
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Jonelle Allen
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"Broken Busted Blues" (Reprise)
Noble Sissle and Eubie Blake, 1924
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Steve Josephson
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"A Good Man is Hard to Find"
Eddie Green, 1927
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Jonelle Allen
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"Aggravatin' Papa"
Roy Turk and J. Russell Robinson, 1922
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Jonelle Allen
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"Arabella's Wedding Day"
Geo. W. Meyer, 1926
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Jonelle Allen
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"Broken Busted Blues" (Reprise)
Noble Sissle and Eubie Blake, 1924
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Steve Josephson
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"Some of These Days"
Shelton Brooks, 1911
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Jonelle Allen
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"I'm Just Wild About Harry"
Noble Sissle, Eubie Blake and Jimmy Dale, 1921
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Jonelle Allen
with Steve Josephson
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"I've Got What it Takes But it Breaks My Heart to Give it Away"
Roy Turk and J. Russell Robinson, 1922
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Jonelle Allen
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"You've Got To See Mama Every Night"
Billy Rose and Con Conrad, 1923
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Jonelle Allen
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"The Backslider" (excerpt from 'Levee Land')
William Grant Still, 1926
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Jonelle Allen
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"Sweet and Low-Down / Shaking the Blues Away"
George & Ira Gershwin, 1924 / Irving Berlin, 1926
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Steve Josephson
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"Silver Rose"
Geo. W. Meyer, 1926
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Jonelle Allen
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"I'm a Little Blackbird Looking for a Bluebird" (Finale)
Geo. W. Meyer, Arthur Johnston,
Grant Clarke and Roy Turk, 1924
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Jonelle Allen
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COMPANY BIOGRAPHIES
Jonelle Allen (Florence Mills / Author)
Ms. Allen, who spent six years as Grace, the entrepreneurial post-Civil War frontier café owner in CBS-TV’s Dr. Quinn, Medicine Woman, was four years old when she was cast in the revival Wisteria Trees starring Helen Hayes, Ossie Davis, Cliff Robertson and others at the New York City Center Theatre. In the course of the play’s run, Ms. Hayes took Ms. Allen’s Aunt Bea aside and advised her, “Keep this child in the theatre, she has a natural gift.” It wasn’t until some twenty years later at Sardi’s that Jonelle again saw Helen Hayes in person. Ms. Allen was in the spotlight at the famed theatrical hangout awaiting the first reviews following her opening night of the musical Two Gentlemen of Verona, in which she starred and which Ms. Hayes had attended. Rushing up to a great actress and assuming that she would not recognize her, Ms. Allen recounted the circumstances and what Ms. Hayes had said to her Aunt Bea years earlier. Ms. Hayes smiling simply said, “See. I was right.” Ms. Allen received a Tony nomination as "Best Actress in a Musical" and won the Drama Critics, Drama Desk, Theater World, and Outer Circle Awards for her performance as "Silvia" in the New York Shakespeare Festival production. Other Broadway credits include the original casts of Hair and George M!, starring Joel Grey and Bernadette Peters. Ms. Allen has appeared in numerous feature films and television productions including Hotel New Hampshire, Cagney and Lacey, Hill Street Blues, Generations, Twice In A Lifetime for PAX-TV and Strong Medicine for Lifetime Network. Ms. Allen won a Dramalogue Award for her performance of "Aldonza" in Man of La Mancha prior to embarking on the phenomenal run on Dr. Quinn.
Steve Josephson (Lew Leslie / Producer / Director / Author)
Gallimaufry Performing Arts' Executive Artistic Director attended USC with scholarships from Laguna Beach’s Festival of Arts. His association with USC extended for 20 years as he became Resident Director/Choreographer and a Playwright in Residence with Festival Theatre USC/USA at the Edinburgh Fringe. For Festival Theatre he directed the European premieres of A. R. Gurney’s The Perfect Party, Christopher Durang’s Sister Mary Ignatius Explains It All For You, Alan Menken’s Weird Romance, Harold Arlen and Truman Capote’s House of Flowers, William Finn’s March of the Falsettos, Kenneth Lonnergan’s This is Our Youth, as well as productions of his own works; Tea & Crumpets and The Aspern Papers. In New York he wrote, directed and produced the Off-Broadway Musical Farce Some Summer Night which was a winner of the New American Musical Writers Festival. In San Francisco he wrote, directed and choreographed Tea & Crumpets which won the S.F. Bay Area Theatre Critics Award for “Best New Musical”. In Los Angeles he produced the wildly successful Star Wars Trilogy in 30 Minutes and produced, directed and choreographed the West Coast premiere of Weird Romance. For Scottsdale’s Ensemble Theatre Company he directed productions of Loot, The Lonesome West and 2 1/2 Jews which later performed in Baltimore’s Gordon Center for the Arts. For Fox Sports and Primeticket he wrote and directed the USC “Inaugural Sports Hall of Fame Induction” hosted by Frank Gifford which included his writing one of the last public addresses for former president Ronald Reagan.
Ellen Prince (Choreographer)
Ellen Prince has been involved in the dance world for many years and in many capacities. She earned her degree from the University of California at Irvine with a major in Dance. She has both performed and choreographed. Ms. Prince danced professionally on both the East and West Coasts. She danced with the Norman Walker Dance Company in New York, the Ben Howard Company in Los Angeles and has danced in the ensemble of many musicals. She has choreographed in academia and professionally for over twenty years. Ms. Prince has spent most of her choreographic career in California. Some of her credits include original shows at the Santa Monica Civic Auditorium and at the Tiffany Theater in Los Angeles. Ellen has been, and still is, choreographing for the Laguna Playhouse spanning over thirteen seasons where she has had the privilege of choreographing The Secret Garden, The Wizard of Oz, among others. She also choreographed both the pilot and all four seasons of “The Great Pretenders” for Fox Network in Hollywood. Ellen has choreographed for many Civic Light Opera Companies, such as Saddleback Civic Light Opera. She has served as the resident choreographer for South Coast Musical Theater and for Irvine Civic Light Opera where she choreographed numerous shows including A Chorus Line, Company, Evita, The Music Man, Cabaret, and won the Los Angeles Dramalogue award for choreography for the production of Pacific Overtures.
Ron Abel (Musical Director)
Ron Abel is a multi-award winning composer, producer, arranger, orchestrator, conductor and musical director. The scope of his music mastery includes film, television, Broadway, recording, as well as live, special events. As arranger/conductor, Ron has appeared live onstage with Bette Midler, Johnny Mathis, Liza Minnelli, Mandy Patinkin, Patti LuPone, Michele Lee, Jason Alexander, David Hyde Pierce, Rita Wilson, Loretta Devine Lucie Arnaz, Craig Bierko, Brian Stokes Mitchell, Nancy Dussault, Shirley Jones, Valerie Pettiford, Tim Curry, Donna McKechnie, Sarah Brightman, Joe Williams and never last, l'opera diva Julia Migenes. Film and television credits include: Musical direction for I Love Lucy’s 50TH Anniversary TV Special (CBS); Composing the television theme songs for Animal Court (Animal Planet) and the late night talk show, Nitecap (ABC). Ron was featured as the on-camera musical director for Nitecap, as well as the syndicated musical TV game show, Name That Tune. His film work includes composing, arranging and/or orchestrating for both Michelle Pfeiffer and Kim Basiner; and for a TV special for Lily Tomlin; and work for Bea Arthur and Carol Burnett. Most recently he produced and arranged albums for Deborah Gibson (Colored Lights: The Broadway Album) and Valerie Petitford (Hear My Soul). Ron is the co-creator and arranger of the Broadway musical, Blame it on the Movies. As a leading composer, Ron’s own score for the musical, Twist of Fate, was awarded both the Los Angeles Drama Critic's Circle and L.A Weekly Theatre Awards, for "Best Musical of the Year". His other musicals produced in Los Angeles include, Is This Your Life?...a musical comedy exposé; Rockwell: Life on a Palette; and To Sir, With Love.
Steve Josephson (Producer / Director)
Gallimaufry Performing Arts' Executive Artistic Director is a graduate of Laguna Beach High School, and attended USC with scholarships from the Festival of Arts. His association with USC extended for 20 years as he became Resident Director/Choreographer and a Playwright in Residence with Festival Theatre USC/USA, a repertory company that attends the Edinburgh International Festival. For Festival Theatre he directed the European premieres of A. R. Gurney’s The Perfect Party, Christopher Durang’s Sister Mary Ignatius Explains It All For You, Alan Menken’s Weird Romance, Harold Arlen and Truman Capote’s House of Flowers, William Finn’s March of the Falsettos, Kenneth Lonnergan’s This is Our Youth, as well as productions of his own works Tea & Crumpets and The Aspern Papers. Also for Festival Theatre he directed and choreographed productions of West Side Story, Chicago, Gypsy, Guys and Dolls, Snoopy!, Little Shop of Horrors, A Little Night Music, Working and You’re a Good Man, Charlie Brown. In New York he wrote, directed and produced the Off-Broadway Musical Farce Some Summer Night which was a winner of the New American Musical Writers Festival. In San Francisco he wrote, directed and choreographed Tea & Crumpets which won the S.F. Bay Area Theatre Critics Award for Best New Musical. In Los Angeles he produced the wildly successful Star Wars Trilogy in 30 Minutes and produced, directed and choreographed the West Coast premiere of Weird Romance. For Scottsdale’s Ensemble Theatre Company he directed productions of Loot, The Lonesome West and 2 1/2 Jews which later performed in Baltimore’s Gordon Center for the Arts. For Fox Sports and Primeticket he wrote and directed the USC “Inaugural Sports Hall of Fame Induction” hosted by Frank Gifford which included his writing one of the last public addresses for former president Ronald Reagan. In Laguna Beach he choreographed Manet! and A Wonderful Life at the Laguna Playhouse and produced and directed Love Letters starring Tom Skerritt and Kathy Baker for the Laguna Art Museum. Laguna audiences may have also seen his productions of Gypsy, Bugsy Malone, Follies, Annie Warbucks, The Philadelphia Story, Into the Woods, 42nd Street, Duets, Seussical, A Chorus Line, South Pacific, Sordid Lives, Meet Me in St. Louis and Hot 'n' Cole.
Colleen Coombs (Stage Manager)
This is CC’s first time behind the scenes ‘playing’ stage manager. She appeared in last year's Gallimaufry production of South Pacific as one of the nurses. In addition, she has appeared as both the "Widow Douglas" and "Judith Loftus" in Huckleberry Finn, "Mama Maddelena" in Nine, "Amanda McKenney" in Working and "Sister Mary Amnesia" in a revue of Nunsense. CC has performed vocally throughout Orange County.
Noah Plomgren (Sound Operator)
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Copyright © 2007
Gallimaufry Performing Arts
a 501 (c) (3) Tax Exempt Nonprofit Corporation
Federal Tax Id#20-1161746, IRS Expemtion #17053230006016
(949) 499-5060
P.O. Box 4984, Laguna Beach, CA 92652-4984
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